Brooks’ narrative focuses on the small, isolated community of Greenloop, an eco-centric commune who suddenly are cut off from the rest of the world after a volcanic eruption. “Max has written a story that the Sasquatch are only a part of, a mirror to what the story is really about,” he explains. He quickly points out that, like most great horror tales, there is meaning in the monster’s presence. “Unlike you, I never had a lot of interest in anything Sasquatch, certainly wasn’t expecting to fall in love with Sasquatch lore” Ashcroft laughs, speaking via Zoom from his Wellington home, “but now I am utterly obsessed and fascinated by all things Sasquatch! I am only just getting into this magnificent world of Bigfoot and his cousins across the world.” ( Pictured, right: Ashcroft, on the set of Coming Home in the Dark) Full disclosure - your correspondent is a Sasquatch obsessive and Brooks' book, which chronicles a Bigfoot pack attack deep in America’s forested heartland, was the literary highpoint of 2020. While on the promotional circuit for Coming Home in the Dark in late 2021, Ashcroft offered up some insight into how the project was developing. An adatation of the blockbuster bestseller Devolution: A Firsthand Account of the Rainier Sasquatch Massacre by World War Z author Max Brooks, it represents a high-profile Hollywood debut for the New Zealand-born filmmaker and his writing partner, Eli Kent.
Based upon the slick visuals and chillingly deft touch in building the suspense in his Sundance 2021 hit Coming Home in the Dark, it was announced in June that director James Ashcroft would helm Legendary Pictures’ prestige horror property, Devolution.
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